How is Armenian music perceived in the world today? How is Armenian music presented in the world? At this present time, how successful are Armenian musicians? What should be the future of Armenian music?
Armenian music is used as a vehicle for presenting Armenian culture. Music can be analyzed as a component of an overall cultural strategy. Also considered is the interrelationship between music and education. These themes and others are presented in a live discussion on the show. The show features well-known Armenian composers and performers.
The new album and its presentation in a solo concert became the occasion for this issue of the program where pianist Hayk Melikyan's selected performances are accompanied with his unique explanations. For example, he says, "It is as if you visit Bach as a guest, while Stockhausen is you." Listen to the rest of Hayk's explanations during our talk.
This was the title of the series of concerts with talks and master classes that renowned pianist Shahan Artsruni held in the cities of Gyumri, Vanadzor, Berd, Ashtarak, Goris, and Stepanakert. "I have never had an opportunity to be engaged in teaching regularly; so this was an opportunity for me to convey and communicate," says our guest who is highly impressed from his concerts in Armenia. During our talk, you will also listen to excerpts from the second volume of the "Anthology of Piano Pieces by Armenian Composers" the publication of which began on Artsruni's initiative.
Aram Khachaturian wrote songs during his entire life. Melodiousness was in the basis of his instrumental music. He admired Shara Talyan's singing, wrote letters to Haykanush Danielyan, one of his favorite singers was Zaruhi Dolukhanyan… No coincidence that the 13th Aram Khachaturian Competition is dedicated to solo singing. Our conversation with the director of the Aram Khachaturian Competition Cultural Foundation Anna Ter-Hovakimyan provides us with important and interesting information about the event that is to start on June 6. During our broadcast, you'll listen to Khachaturian's Third Concert Aria and excerpts from the "Ballade about Motherland" and "Ode of Joy." The "Drinking Song" is sung and played by Khachaturian himself.
The first classical music piece that he listened to in his school years was Vagharshak Kotoyan's romance "Like a Dream." Later, in the class of his teacher Gegham Grigoryan, one of the students sang Edvard Mirzoyan's "They Say That…" and since then our guest has fallen in love with this kind of music. "If you can sing your national songs beautifully, then everything will be very well," the teacher advised our guest. The occasion for this conversation is the album "Armenian Classic Romances" (issued in 2015) of famous basso of Armenian and world opera stage Gevorg Hakobyan.
Grandeur, Teacher, Performer, and Master… The page for the Fatherland opened in his life with the blessing of Vazgen I. His singing voice was crystallized in the class of Tamar Shahnazaryan. This adamantine basso was presented outside Armenia by Hovhannes Chekijyan. He completed the gallery of great figures of the Armenian opera stage of the late 20th century and built a strong vocal-pedagogical school of the early 21th century.
The broadcast is dedicated to the memory of Valeri Harutyunyan.
Today Vahram Sargsyan represents both Armenian and Canadian art of music composing. Prestigious competitions and festivals of choral music are interested in his activities of vocal performance and creation. From singing in a church choir to studying in the classes of Ashot Zohrabyan and Tigran Hekekyan at Yerevan Conservatory – this was the first phase of his professional life...
Hasmik Grigoryan's musical talent was born of a luxurious Armenian-Lithuanian opera duet. The singer who has the most prestigious awards confesses that her real opera career is just starting. We witnessed her ascent: the first Yerevan Opera Festival opened with arias of Madama Butterfly, Manon Lescaut, and Tatyana performed by Hasmik. "The entire essence of my opera world is Madama Butterfly," emphasizes Vem Radio's precious guest and friend.
The performing path of pianist Areg Sargsyan, associate professor of Yerevan State Conservatory named after Komitas, began since school years. In his performance, both heredity and belonging to the school are entwined, a school that originates from great figures who communicated with the world in poetic language.
Commissioned by Munich Chamber Orchestra and Berlin RIAS Choir, through the efforts of conductor Alexander Liebreich, Tigran Mansuryan's Requiem was born in 2011 and is performed on various stages of the world. In March 2017, ECM Records released its CD. We're sure that a completely new breath will generate in the dialog of world and Armenian music. "I have given them a chance to sing us," says Maestro.
"Lusine sings, and a century-long history, a whole life, becomes animate. When Lusine sings, it seems to me Komitas stands at her back invisibly, resting his supporting hand on the singer's shoulder. Her singing is the wonderful discovery of our art of singing," wrote Vahagn Davtyan.
This is the title of the first volume of the yearbook of Komitas Museum-Institute that includes the latest studies on this topic by specialists from Armenia and other countries. We're talking with one of the editors of the volume, musicologist Tatevik Shakhkulyan. During the broadcast, you'll listen to performances by Komitas, Khoren Palyan, Hilliard Ensemble, Hover Choir, Lusine Grigoryan, and the choir of Vazgenian Seminary.
Yerevan Art School named after Ghazaros Saryan lives thanks to talented students, devoted teachers, and caring parents. The school organizes exemplary cultural events for our country. On March 28, it hosted a concert dedicated both to the 85th anniversary of the Composers' Union of Armenia and to musicologist Araksi Saryan's 80th birth anniversary. Our guest is the school head Susanna Sukiasyan.
"No single day without music, no single day without the eternal beauty… Teaching to search and understand that beauty − in this she found the meaning of surviving in this hard world." This broadcast dedicated to Ketty Malkhasyan, a prominent representative of the Armenian piano school, is based on Irina Zolotova's monography "Ketty Malkhasyan."
The concert of the Nshkhark ensemble of the Araratian Patriarchal Diocese's youth unions will take place on March 24, 2017. The program includes the choral songs by modern Armenian composers Yervand Yerkanyan, Davit Halajyan, and Svetlana Aleksanyan. Our guest is the ensemble’s artistic director Heghine Ohanyan.
This is how musicologist Evgenia Gilina called Anushavan Ter-Ghevondyan. The famous musician successfully combined the activities of a composer, musician, public figure, pedagogue, musicologist-critic, and conductor. For four years he headed Yerevan State Conservatory, and during that time the Opera Studio started to function; he also participated in establishing the musical publishing office... This year marks the 130th anniversary of the birth of Anushavan Ter-Ghevondyan.
At the final concert of the 8th Festival of Armenian Composers' Art, the State Youth Orchestra of Armenia had prepared a premiere, performing the Piano Concert of Eduard Hayrapetyan. We are talking about that work with its first performer and soloist Nareh Arghamanyan.
Hayk Davtyan is an opera and symphony conductor, who values the importance of the best demonstration of his country, Armenian music, in the repertoire of Nairi ensemble that he has created with an Armenian name and French musicians. He is a violinist who has been awarded a Grand Prix. He is a teacher in whose class wonderful violinists are born. Tatyana Hayrapetyan, Edvard Tatevosyan, Leonid Kogan, Igor Bezrodny, these are our guest’s main teachers of violin. And Yuri Davtyan is our guest’s main teacher of conducting.
During the Soviet years, three attempts were made to publish a musical journal in Armenia. But such a journal was born only in the years of Independence. Who is the guardian angel of the journal? Who is the first shareholder? What gift was received by the famous music critic? Our guest is the founder and editor-in-chief of the journal “Musical Armenia” Gohar Shagoyan.
A video clip lasting for only several seconds and presenting the singing of six members of the Little Singers of Armenia was enough to bring Hiroshi Nagano to our country. “Armenia is a place of paradise which must be visited… Here it is possible to understand why a human lives,” confesses the producer of JVC Kenwood Victor Entertainment Corporation. In the modern history of Armenia, this is the first time that a large collaboration of CD production has started.
Hiroshi Nagano, Tigran Hekekyan, Lilit Khansulyan
Composer Martin Ulikhanyan is passing his path of a decent and active musician in a way that he is able to build a new road necessary for Armenian music art. He has accumulated a serious stock of composing, performance, and pedagogy, and this is expressed in his multi-faceted activity.
Aida, Violetta, Leonora, Norma, Tosca — it is impossible to imagine an opera repertoire without these dramatic characters. Marine Deinyan — it is difficult to imagine the modern Armenian opera stage without this soprano. An important part of the path of this singer, who graduated from the class of Lilya Karamyan and Svetlana Kolosaryan and performed on the stage for the first time under Ohan Durian’s conducting, is formed of competitions, international concert tours, and pedagogical activity.
Rafayel Mangasaryan was the conductor of one of the best bands of the Soviet Union, the Symphony Orchestra of the Television and Radio of the Armenian SSR. The main aim of his activity as a conductor was to help create a rich fund of Armenian music in the funds of the radios of the Soviet Union and Armenia... In this broadcast dedicated to Mangasaryan’s 90th anniversary, we present some episodes from the life of this famous musician as well as his conducting precepts.
They were aerial people in the direct and figurative senses of the word. Eduard Karapetyan was the founder of sound engineering in Armenia and one of the four best specialists in this field in the Soviet Union. The voice and work of his life partner, radio director and host Kima Davtyan are also part of the history of Armenian radio. This broadcast is another dedication to their union.
In 1940, during the ten-day events of Armenian culture organized in Moscow, Aram Khachaturian's ballet Happiness was a great success. The author was in such high spirits that he only needed to write down the music sounds erupted from his soul. His joy increased from anticipation for the birth of his child. "How happy you are; you wrote your concert, and your son was born," remembered Aram Khachaturian the congratulation of one of the musicians.