14:00 - Patrological Readings, 18:00 - Patrological Readings, 19:00 - Hour of Tales, 20:00 - Bible Readings and Lives of Saints, 22:00 - Spiritual Discussions, 23:00 - Selected Literary Works, 24:00 - Jazz, 14:00 - Patrological Readings, 18:00 - Patrological Readings, 19:00 - Hour of Tales, 20:00 - Bible Readings and Lives of Saints, 22:00 - Armenian Monasteries and Sanctuaries, 24:00 - Jazz, 14:00 - Patrological Readings, 18:00 - Patrological Readings, 19:00 - Hour of Tales, 20:00 - Bible Readings and Lives of Saints, 22:00 - Shades of Art, 24:00 - Jazz, 14:00 - Patrological Readings, 16:00 - Introduction to the Bible, 17:00 - Armenian Monasteries and Sanctuaries, 18:00 - Patrological Readings, 19:00 - Hour of Tales, 20:00 - Bible Readings and Lives of Saints, 22:00 - Voskeporik, 24:00 - Jazz,
Thursday 10:00, 22:00
Saturday 17:00
Armenian Monasteries and Sanctuaries
Monday 08:00, 20:00
Tuesday 08:00, 20:00
Wednesday 08:00, 20:00
Thursday 08:00, 20:00
Friday 08:00, 20:00
Saturday 08:00, 20:00
Sunday 08:00, 20:00
Bible Readings and Lives of Saints
Divine Liturgy
Monday 19:00
Tuesday 19:00
Wednesday 19:00
Thursday 19:00
Friday 19:00
Saturday 19:00
Sunday 19:00
Hour of Tales
Saturday 16:00
Sunday 13:00, 22:00
Introduction to the Bible
Musical selections
New Year
Monday 14:00, 18:00
Tuesday 14:00, 18:00
Wednesday 14:00, 18:00
Thursday 14:00, 18:00
Friday 14:00, 18:00
Saturday 14:00, 18:00
Sunday 14:00, 18:00
Patrological Readings
Friday 10:00
Pearls of Music Theater
Questions to the priest
Wednesday 10:00, 23:00
Saturday 13:00
Selected Literary Works
Monday 10:00, 23:00
Friday 22:00
Shades of Art
Wednesday 12:02, 22:00
Saturday 10:00
Spiritual Discussions
Monday 12:02, 22:00
Sunday 10:00
Spiritual Discussions On Synoptic Gospels
Saturday 11:00, 22:00
Sunday 17:00
Tuesday 10:00, 22:00
Saturday 12:00
World Classical Music
media Initiatives Quizzes Products vem club
Host - Olya Nurijanyan
Broadcast Schedule
Armenian Composers and Performers

How is Armenian music perceived in the world today? How is Armenian music presented in the world? At this present time, how successful are Armenian musicians? What should be the future of Armenian music?

Armenian music is used as a vehicle for presenting Armenian culture. Music can be analyzed as a component of an overall cultural strategy. Also considered is the interrelationship between music and education. These themes and others are presented in a live discussion on the show. The show features well-known Armenian composers and performers.

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21 November No Indefiniteness Here

Each Yerevan performance of the France-based singer, conductor and teacher Suren Shahijanian is a glee from encountering with a high performance art. Such is also his speech: wise and deep, just as his bass voice. Our guest confesses that he couldn't be a baritone or tenor singer.

14 November The Only One in the World…

The Arutiunian Woodwind-Piano Quartet was created in 2015. In this quartet's performance, opera, ballet and symphonic music pieces sound with an unusual combination of instruments, by flute, clarinet, bassoon, and piano. We're talking with the members of the quartet about their concerts, tours, and the new CD.

  • Gevorg Avetisyan, Davit Gyulamiryan, Nikolay Poghosyan, Lilit Zakaryan


07 November A Girl That Sings Turandot

Soloist in the youth opera program Siranush Galstyan performed on stage for the first time in the image of Tosca. This story began at Gegham Grigoryan's advice and was confirmed with the Catholicos's blessing. Let's hope that for the singer who has a long experience of performing in concerts, a new life for living roles on stage is awaiting ahead. 

31 October The Voice of the Strong State

Power, energy, enthusiasm, and organization: such qualities are peculiar to the eldest children of the contemporary Armenian culture—the choir "Little Singers of Armenia," one of the greatest achievements of our independence. Their concert tours in Germany, Netherlands, Belgium, and Switzerland have opened an important page in diplomatic culture. Our guest is the founder and chief conductor of the choir Tigran Hekekyan.


24 October Finding Something New in Simple Things

Nare Karoyan is a representative of the new generation of pianists. She was born in a family that has contributed to Armenian modern fine arts. She studied under contemporary pioneers in the field of French, German, and Austrian pedagogy. That European path began from Pascal Devoyon's class. 

17 October The Voice of Apricot

It's been four years now that Tsirani, an ensemble representing the golden mean of  national instruments and Armenian musicians, has existed. Here the core instrument is duduk that is made of apricot wood and is the musical instrument most resembling human voice. Who  waters Tsirani and how it sounds will be told by our guests, Artak Asatryan, duduk player and artistic director of the ensemble, and singer Eka Horstka.


10 October You Have Come Again… After 135 Years

Nikol Galanteryan's songs have started to live a new life. They have got such rebirth thanks to the dedication of faithfully serving musician, pianist Margarit Sargsyan. Certain directions in the composer's vocal works show how Armenian romances could later develop. "I am able to hear in these songs the songs of the later period, those of Aleksay Hekimyan, Khachatur Avetisyan, and Arno Babajanyan," says our guest.


03 October The Daniel Yerazhisht of the 21st Century

The talk with Daniel Yerazhisht on the occasion of his 70th anniversary became a meeting with a whole cultural era. The names of Tatyana Hayrapetyan, Jan Ter-Merkerian, Robert Atayan, Mikayel Maluntsyan, Davit Khanjyan, and Robert Rozhdestvensky stand out in the great course of his life. “My teachers showed the way to the kingdom of music,” says Daniel Yerazhisht. 


26 September The Excellent Singer and Philanthropist

On the initiative and by the personal efforts of America-based baritone Tigran Zhamkochyan,  Armenian music has sounded abroad since the 1960s. He has always enjoyed the opportunity to represent things related to Armenia, whether it was a reception by the American president or Turkey's ambassador: "I love movement. I want to be useful for my people." 


19 September To Armenia…

For Alexander Spendiaryan, the roads bringing him to Armenia were the bright names of the history of Armenian culture as well as his contemporaries: Hovhannes Ayvazovski, Vardges Surenyants, Nikoghayos Tigranyan, Romanos Melikyan, Spiridon Melikyan, Hovhannes Tumanyan, Sheram, and others. Tigran Sargsyan, chief fund curator of the Spendiaryan House-Museum, tells the stories of those known and unknown meetings.

12 September Music as an Arch

Kamilla Yerkanyan and Armine Abajyan... offsprings of musicians' families, pianists with different, restless and dreamy, characters, who represent the Kamar (meaning "arch" in Armenian) Duo. Today they are respected pedagogues at Beirut Conservatory. After their first concert in Armenia, they are the guests of our program. During our conversation you can listen to compositions by Mirzoyan, Khachaturian, Mozart, and Schubert.


05 September Conductor’s Reflections (Part VI)

The conversation with Zaven Vardanyan is about an arts worker with an unacceptable type. Our talk is seasoned with citations that have the power of credo: “You should live your life without thinking where you will be given a place: in the Komitas Pantheon or in the City Pantheon.” One more: “It is beautiful when our life passes by giving more than receiving and with the desire to perfect what is imperfect.”

25 July Source, Beginning, Birth - Ortus

America-based composer Tatev Amiryan and famous pianist Hayk Melikyan released their first joint CD titled "Ortus." This young composer grew up listening to Komitas' songs that her mother sang. It is very important for her that her audience might take part in her art and listen to her music. "I saw Hayk when he was playing my music... Hayk opened a new window into my world," confesses Tatev.


18 July The Orchestra That Should Be Created Will Be Created…

Prior to Alexander Spendiaryan, no one had thought of creating an orchestra in Armenia. “The Yerevan of the 1920s was like the Weimar of the Romance period when notable musicians started to act. In Armenia, one of those “romanticists” was Alexander Spendiaryan. He came to the Fatherland with a great devotion and created serious cultural values” -- the words of writer, publicist Marieta Shahinyan are quoted by our guest, the chief fund curator of the Spendiaryan House-Museum Tigran Sargsyan, who adds that one of those values was the first Armenian orchestra.

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1/3 Pavstos Byuzand st., Yerevan 0010, Armenia, Tel.: (+374 10) 54 88 70; (+374 10) 58 52 49