Pearls of Music Theater
The program broadcasts the best performances of famous operas, ballets, musicals, and operettas, presenting their plots and the history of their creation. Before each act, the corresponding part of libretto is read, which makes the listening experience more vivid and comprehensible.
- Author of the program: Inessa Khachatryan
Wolfgang Amadeus Mozart, The Magic Flute
Mozart was offered the libretto for this opera by his longtime friend, theatrical businessman Emanuel Schikaneder, who wrote it using the themes of Christoph Martin Wieland's fantasy poems and fairy tales. Schikaneder also included some secret masonic ritualistic trials and mystical transformations in his libretto. The plot of the opera was very primitive, but Mozart managed to express serious moral and philosophical notions in it. He was inspired by the mottoes of human equality and brotherhood, faith in goodness, and desire of moral perfection.
The Magic Flute was premiered on September 30, 1791. Two months after the play, before even reaching the age of 36, Wolfgang Amadeus Mozart died, leaving a huge legacy of brilliant works that do not concede each other.
Johann Strauss Jr., "Тhe Bat"
The libretto of the comic operetta “The Bat” (“Die Fledermaus”) by Johann Strauss Jr. is based on a farce by German playwright Julius Roderich Benedix. Playwrights Henri Meilhac and Ludovic Halévy transformed it into a vaudeville.
Their play was such a big success in Paris that the Director of the Theater An der Wien (Vienna) Maximilian Steiner decided to stage it in his theater. He ordered Austrian playwright and composer Richard Genée to write the final version of the play. One of the friends of Strauss' suggested that Steiner order Strauss to compose the music for the play. Strauss began working with great enthusiasm; he fell in love with the libretto so much that he completed his work in only 1.5 months. The premiere of the operetta took place on April 5, 1872, Easter, in the Theater An der Wien.
Pyotr Tchaikovsky, "The Nutcracker"
The plot of Tchaikovsky's ballet "Тhe Nutcracker" was borrowed from the tale "The Nutcracker and the Mouse King" by Ernst Theodor Amadeus Hoffmann. But the libretto is based on the tale "The Story of the Nutcracker" by Alexander Dumas the Father (1844), which was wrongly attributed to Alexander Dumas the Son in the "Theatrical Encyclopedia." Tchaikovsky worked on the creation of the ballet with popular ballet master Marius Petipa. The premiere took place on December 6, 1892, at the Mariinsky Theater along with the Opera "Iolanta."
Ludwig van Beethoven, "Fidelio"
"Fidelio" is the only complete opera of Beethoven. The plot is based on a real story about a political prisoner whose wife selflessly saved her husband from a certain death. The dramatic nature of the opera, its moral pathos, heroism, glorification of the purity and strength of marital love, the desire to fight against totalitarianism were close to Beethoven's ideas.
Carl Maria von Weber, The Freeshooter
The Opera "The Freeshooter" ("Der Freischütz") is considered the first truly romantic German opera. The work is based on an ancient legend, common among Germans and Czechs, about a young hunter, but the ending of the libretto is different from that of the legend. The author of the libretto, Johann Friedrich Kind, changed it so that in the struggle of good and evil, good wins and everything ends happily for the heroes.
Carl Maria von Weber wrote this opera during the rise of the national liberation struggle and justified the expectations of the audience of Democrats. This opera was assessed not only as a brilliant phenomenon of arts, but also as a strong patriotic work.
Mikhail Glinka, Ruslan and Lyudmila
Glinka had the idea of creating the opera "Ruslan and Lyudmila" still at the time of Pushkin. The composer wanted to create it on a libretto by Alexander Pushkin, but because of the sudden death of the poet he was forced to turn to his friends: he wrote the libretto with the help of Valerian Shirkov, Constantine Bahturin, Nestor Kukolnik, and others.
In this work, Glinka instilled the images with epic breath, developed the content of the opera, and created new types of operatic drama that are based on the development of symphonism, the clash and juxtaposition of opposite characters, and the sequence of separate complete episodes.
Henry Purcell, Dido and Aeneas
The opera is based on Part IV of Virgil's epic poem "Aeneid" where the author tells about the legendary Trojan hero Aeneas. The libretto was written by Nahum Tate. "Dido and Aeneas" is the first music drama by Purcell. The composer wrote it in 1689 by a special order to present it at the graduation ceremony of Josias Priest's Girls' School.
Christoph Willibald Gluck, Orpheus and Eurydice
The opera's libretto was written by Ranieri de' Calzabigi on the basis of a variant of the ancient Greek legend incorporated in Virgil's "Georgics." The antique personages are presented in a lofty and touching simplicity in the opera and express real feelings peculiar to ordinary humans. The end of the opera, unlike that of the legend, is happy.
Giuseppe Verdi's Opera "Nabucco"
The opera is based on the biblical events described in the tragedy of Auguste Anicet-Bourgeois. "Nabucco" is the Italian short form of the name of the Babylonian king Nebuchadnezzar II. The Bible tells how Nebuchadnezzar destroyed the first temple of Jerusalem in 578 BCE and captured the Jews.
The author of the Italian libretto is Temistocle Solera.
Giacomo Puccini, Madama Butterfly
According to the author of this opera, it is a "Japanese tragedy."
From the end of the 19th century to the beginning of the 20th, Europeans sought after exoticism, and the workers of art tried to enrich their works with Asian flavor. By choosing a Japanese theme, Puccini showed the importance of the drama of an individual.
The opera is based on American writer John Long's novel. David Belasco made a drama of it, and its staging so impressed Puccini that he asked Luigi Illica and Giuseppe Giacosa to transform the play into an opera libretto.
The actions of the opera take place in Nagasaki in 1900.
Armen Tigranyan, Opera Anush
Specialists consider the opera Anush as the first Armenian national opera. It was premiered in 1912 in Alexandropol by the efforts of an amateur troupe, but the melodies that sounded in the opera spread quickly among people and became very popular. The opera is based on the poem „Anush“ by Hovhannes Tumanyan, and the libretto was authored by the composer himself. Soon many arias, duets and choral songs of the opera Anush began to sound on the radio, TV, and concert scenes as brilliant concert samples.
Adolphе Adam, Giselle, or the Wilis
The libretto of Adolphе Adam's fantastic ballet Giselle was written by Jules-Henri Vernoy de Saint-Georges and Théophile Gautier on the basis of Heinrich Heine's adaptation of a Slavic legend. The legend is about a group of female night dancers who are called Wilis. These unhappy young beings are brides that had died before entering the nuptial bed. At midnight, they come out of their graves, trying to re-experience their happy days. But death will happen to the passerby who will be so unfortunate to encounter them. They will take him in a round dance and force to dance with them until he falls down breathless. Giselle, a woman who had become disappointed in love and been deceived, dies and turns into a night dancer, a Wilis.
Ruggero Leoncavallo, Pagliacci
Leoncavallo's opera Pagliacci was premiered in 1892. The events of the plot happen in Italy's south, in the small village of Montalto, Calabria. "Pagliacci" means "clowns." This story is not a product of fantasy only; the author tried to reflect the real life, being inspired by that same reality.
Leonard Bernstein, West Side Story
This musical is about two rival gangs, the Jets (White) and the Sharks (Puerto Rican), who struggle for control of the neighborhood somewhere in the Upper West Side of New York City. Though the conflicts found in Shakespear's Romeo and Juliette also recur here, but this story is even more touching and emotional. Until the very last moment, the audience expects to witness a happy end, but the real life is sometimes more cruel...
Richard Wagner, Tannhäuser
The broadcast presents Richard Wagner's opera Tannhäuser, based on medieval German legends. Its libretto was written by Wagner himself. The plot of the opera, borrowed from medieval legends and stories, takes the audience back to the old feudal and chivalrous times and contains a certain amount of mysticism. "Tannhäuser" demonstrates the struggle for the free expression of human and earthly feelings against Christian ascetic morality.
Sergei Prokofiev: Тhe Love for Тhree Оranges
The broadcast presents Sergei Prokofiev's opera Тhe Love for Тhree Оranges. The libretto was written by Prokofiev himself on the basis of the eponymous fairy tale by Italian writer Carlo Gozzi. The opera was first presented on stage on December 30, 1921, in Chicago, in the French language.
Mozart, The Marriage of Figaro
The plot of the comic opera The Marriage of Figaro by Wolfgang Amadeus Mozart is created on the basis of a “scandalous comedy” by Pierre Beaumarchais that was banned by Austrian Emperor Joseph II because of its anti-feudal freethinking. The opera written by Mozart in a few months was the first attempt of joint work of the composer with the author of the libretto Lorenzo Da Ponte; next were the operas Don Giovanni and Thus Do They All.
The opera premiered in Italian on May 1, 1786, at the Burgtheater, Vienna.