The second part of this episode is dedicated to Komitas's mission. In the most crucial period of Armenian existence, he made his life goal to save and polyphonize the Armenian folk songs and to establish the Armenian national school of composers.

"The salvation of the Armenian people is in their spiritual development" (Kostan Zaryan).
The episode illustrates the impact of music on the human soul and society. The host presents Komitas's activity at the conferences of the International Music Society, where he scientifically and practically confirmed that the Armenians do have their own music.

This episode presents the structure of Haydn's "The Seven Last Words of Our Savior on the Cross" and draws parallels between the works of the same name by composers of different times.

The episode presents the birth, development, and application of the genre of the hymn “Ave Maria” in the art of different composers.

The episode is dedicated to two works based on Arnold Böcklin’s painting "Isle of the Dead" — Rachmaninoff’s Symphonic Poem and a poetic series by Kostan Zaryan.

The episode elucidates the form and content of the innovative concert, and draws parallels with other works of the author.

The episode is dedicated to the genealogy of the genre of concerto. Beethoven's Piano Concerto No. 3 is presented as a perfect example of this genre.

The episode draws a parallel between the art, worldview and ideals of Gregory of Narek and Johann Sebastian Bach, and attempts to find though distant, but common ground and principles.

The episode is dedicated to the concert series "Four Seasons" by Antonio Vivaldi. The author presents the "dialogue" between humans and nature and its reflection in music.

This episode presents the history of the creation of Igor Stravinsky's Violin Concerto, its premiere, characteristics given by Stravinsky, and the plastic nature of its music.

The episode presents the comic Coffee Cantata of Johann Sebastian Bach. In an example of one family, this cantata reflects the different opinions raised around this drink imported to Europe.

The episode presents the biography and work of Aram Khachaturian in the period between the two world wars of the 20th century.

The episode is dedicated to the life and work of Makar Ekmalyan, and to his contribution to sacred music.

The episode describes the love and tragedy of the heroine of this Opera as well as the "luxury and misery" of the Parisian elite of the 19th century, and presents the embodiment of the libretto through relevant musical forms.

This episode of our program illustrates Sibelius's creative credo, according to which music can achieve maximum impact when guided by any poetic line or program, in other words, when music merges with poetry.

This episode touches upon the biography and works of Britten — his innovative operas, instrumental music, War Requiem. It also presents Britten's days in Yerevan, his contacts with Armenian musicians, the series of songs based on Pushkin's poems, which he created in Dilijan, etc.

This episode outlines the creative portrait of the brilliant Austrian violinist Fritz Kreisler and considers its features in the larger view of famous violinists of his time.

The episode presents Symphony Nº 14 by Dmitry Shostakovich, which he created in Dilijan. This musical masterpiece is based on the poems of Lorca, Apollinaire, Küchelbecker, and Rilke.

The episode presents the tragic life and work of Franz Schubert, the founder of musical romanticism and vocal symphonism.

The episode is dedicated to the art of Alan Hovhannes, an Armenian American composer. By using the music, instruments and poetry of Armenian, Chinese, Japanese, Indian and other peoples, he created his own versatile style.